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Studio one mastering12/13/2022 Our two main analogue EQs come from Prism and Manley the MEA2 providing precision and transparency with a super sweet top end, whilst the Massive Passive brings character and warmth or crunch and more radical tone-shaping options where appropriate. You cannot beat the three dimensional sound of true analogue gear and our selection features some of the most popular and widely used high-end kit alongside a couple of more esoteric and rare items. Whilst recent innovations in digital signal processing technology have resulted in some very useful tools in the form of affordable plug-ins some of which do a reasonable job of emulating the behavior of analogue equipment, most top level mastering studios ourselves included prefer to use the real thing. Studio one mastering plus#Thermionic Culture – Culture Vulture mastering PLUS Rupert Neve Designs – Portico II Master Buss Processor The 226′s also have a slightly different voice in the mid-range to their big brothers and a comparison between the two can be very enlightening when making small but crucial eq tweaks in that critical upper vocal range around the 3kHz mark.Īnalogue Outboard Prism Maselec MEA-2 Stereo EQ This is particularly important when shaping the bass end, because with larger monitors you can have a mix that’s loaded with subs and appears to have a huge bottom end that suddenly vanishes when the same mix is played back on the kind of speakers that most people listen on and you don’t want that. These remarkable new monitors are also very accurate, but with just the one crossover and not such an extended bass response as the big fellas they give us a chance to hear the end result from a different point of view. But it’s useful while working to have a different perspective from time to time, which is where our PMC 226′s come in. So we’ve got the big speakers, which tell us just about everything. We chose PMC BB5 XBD-A because they’re the closest thing to it. Monitors that flatter, that sound sweet or warm and fat or which colour the sound in any substantial way are simply not acceptable they must be very fast and responsive and cover the entire audible frequency range with a pretty much flat response. The requirements of mastering monitors are that you need to hear any anomalies in EQ that might be causing problems in the mix, and you also need to hear all the effects (both intended and not intended) of any process that you might choose to apply. Combined with the XBD-A bass extension and over 2kW per channel of Bryston amplification this is the most popular monitoring configuration used in the UK’s leading mastering studios and was the only choice for us, providing incredible accuracy at all levels. The BB5 was the first commercially available reference loudspeaker made by PMC and remains their flagship product to this day. Monitoring Main Monitors: PMC BB5-XBDA With Bryston Amplification
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